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10 posts tagged Silmarillion Project

10 posts tagged Silmarillion Project
“Silmarillion Chapter 6: Of Fëanor and the Unchaining of Melkor”
“…and therefore in a while he was given leave to go freely about the land, and it seemed to Manwë that the evil of Melkor was cured. For Manwë was free from evil and could not comprehend it, and he knew that in the beginning, in the thought of Ilúvatar, Melkor had been even as he; and he did not perceive that all love had departed from him for ever.”
Previous Silmarillion entries:
“Silmarillion Chapter 5: Of Eldamar and the Princes of the Eldalië”
“But the memory of Middle-Earth under the stars remained in the hearts of the Noldor, and the abode in the Calacirya, and in the hills and valleys within the sound of the western sea”
Above is a painting of the Tirion, which became the capital city of the Noldor. It faces the gap of Calacirya, which is the only opening in the mountain range where the light of the Two Trees (a divine source of illumination) can pass through. I’ve also incorporated this image into the clothing and banners of the Noldor Elves. The black eye markings are used to mimic the dirt marks the Noldor get while working their furnaces, as they are very proud of their crafting and metalworking.
The House of Finwë From left to right:
Previous Silmarillion entries:
“Silmarillion Chapter 4: Of Thingol and Melian”
“Then an enchantment fell on him, and he stood still still; and afar off beyond the voices of the lómelindi he heard the voice of Melian, and it filled all his heart with wonder and desire. He forgot utterly all his people and the purposes of his mind, and following the birds under the shadow of the trees he passed deep into Nan Elmoth and was lost. But he came at last to a glade open to the stars, and there Melian stood; and out of the darkness he looked at her, and the light of Aman was in her face.”
Thingol and Melian are the High King and Queen of Beleriand, and functionally all of Middle-Earth in their day. Melian is a Maia, the race of spirits that include Sauron. Tolkien gives very little description of her, so I decided to keep a slightly otherworldly appearance, with horns like a faun or forest spirit. She’s actually much wiser than her husband and much more joyful, so I wanted to make sure that imagery held.
Thingol is the King of the Sindar, the “Grey Elves” who stayed in Middle-Earth (though Thingol himself made the journey to Aman once). As the tallest of the Men and Elves and one of the mightiest in battle, I wanted to keep his form larger and imposing. Older Elves can grow beards, and I’ve decided that any male Elf who was among the first to awaken (this includes Thingol) will be sporting a beard.
Previous Silmarillion entries:
“Silmarillion Chapter 3: Of the Coming of the Elves and the Captivity of Melkor”
“But at the last the gates of Utumno were broken and the halls unroofed, and Melkor took refuge in the uttermost pit. Then Tulkas stood forth as champion of the Valar and wrestled with him, and cast him upon his face; and he was bound with the chain Angainor that Aulë had wrought, and led captive; and the world had peace for a long age”
Previous Silmarillion entries:
“Silmarillion Chapter 2: Of Aulë and Yavanna”
Of all the Valar, Aulë and Yavanna are my favorites, the ultimate husband & wife combo. Aulë is functionally the god of craftsman, and is said to be most like the villainous Melkor in personality (his servants Sauron and Saruman both turn evil, plus he trained troublemaking Fëanor) but Aulë himself remains virtuous and humble. Even when he created the Dwarves in defiance of Eru, it was meant to be a tribute to the Elves & Men (Eru’s personal creations). As such, the Dwarves were given true life and allowed to be awakened after the Elves. Aulë represents the creative ambition of Melkor without the jealousy or vanity.
Yavanna, creator of the Ents, is great because she’s one of the only Valar who actively tries to keep Middle-Earth from becoming overrun with evil, as her interest is with the actual plants and animals of the world. She’s also the one who chose Radagast to be one of the Istari sent to Middle-Earth. It’s also worth noting that while they got along very well, Aulë’s and Yavanna’s creations or servants did not. Dwarves and Ents have never had good relations, and Saruman despised Radagast to the end of his days.
Previous Silmarillion entries:
Silmarillion Project Part 5: Chapter 1 - “Of the Beginning of Days”
We’re finally into the Silmarillion proper! Chapter 1 deals with the details of the shaping of Arda (Earth). In the beginning, the Valar attempted to assemble Arda, but were constantly at odds with Melkor, who warred against them to a standstill. This persisted until the last of the Valar, Tulkas, descended into Arda as well, and together they managed to scare Melkor off for the time being.
What followed was an era of peace, and to light the world (in addition to the stars), the Valar constructed two titanic lamps at opposite ends of Arda. In the middle, they resided on the Isle of Almaren, which I’ve illustrated above, along with one of the lamps. In the foreground is Tulkas himself, ever vigilant.
Melkor ultimately returned while Tulkas slept and toppled the lamps. The destruction was so devastating that Arda itself was deformed, and the Valar retreated to the Western continent of Aman, leaving Middle-Earth to the dark powers.
Notes: I find the character of Tulkas pretty fascinating, as he’s initially the only member of the Valar who entered Arda because there was a conflict, not to contribute to the building of the world. He is also one of the only Valar never to be duped by Melkor, as he seems to have at least a moderate understanding of evil (a rare trait among the Valar). Here I’ve depicted him mostly in silhouette, along with some vaguely humanoid Valar in the distance.
Silmarillion Project Part 4: The Free Peoples of the First Age
There are three houses of High Elves:
Of the Elves who chose to stay in Middle-Earth, the most notable are the Sindar. They, along with the Dwarves, comprise the rest of the non-human allies during the First Age of the Silmarillion.
In the First Age, the humans who participated in the wars against Morgoth were known as the Edain, who were divided into three houses:
Silmarillion Project Part 3: The Monsters of Middle-Earth - Balrogs, Dragons, Orcs and Trolls!
I thought it appropriate for this spooky time of year to share some Silmarillion monsters. Morgoth bred and recruited many evil things during his time in Middle-Earth. These are a brief list of the best-known creatures to serve the Dark Lords:
Hope you like these!
Silmarillion Project Part 2: “Valaquenta - Account of the Valar and Maiar in according to the lore of the Eldar”
The second chapter of The Silmarillion introduces us to the various divine beings (Ainur) who enter Earth (Arda) at its conception: the Valar (a godlike pantheon), the Maiar (lesser spirits) and the Enemy, who at this point is called Melkor. Although Melkor is mightier than any individual Vala, he is not counted among them, as their mission is to craft and preserve the world, while Melkor is hell-bent on twisting it to his will.
Several Valar are pictured here. They are, from front to back:
The accompanying illustrations are of the Enemies:
Notes: The Valar don’t have permanent incarnations, so I tried to keep many visual details vague and focus on broad themes. Conversely, while Melkor could take on many forms in earlier days, by the time he stole the Silmarils and was known as Morgoth, he was essentially trapped in the form of an imposing Dark Lord, “tall and terrible.” I wanted to emphasize a weary, corporeal form in contrast to the Valar, a form that will become further scarred before the end. Sauron, on the other hand, is less imposing and more of a crafty sorcerer. While he could change into the form of Elves or Men, I doubt that would have been his default in the First Age, when his main job was ruling an island full of werewolves.
Hope you enjoy this one! There are many more to come.
Silmarillion Project Part 1: “Ainulindalë - The Music of the Ainur”
This is the beginning of a side project I’ve been working on, where each week I’ll be posting an illustration that corresponds with a different chapter of J.R.R. Tolkien’s Silmarillion.
The Music of the Ainur is essentially the beginning of Tolkien’s creation myth, where the Earth is slowly formed into being by ethereal song. Nothing too fancy just yet, but tune in next week as things heat up!